As published in Caderno B+

If there is one thing that works on Brazilian television today, it’s a reality show, which is why expectations are high for the return of Star of the House, scheduled for August 25, right after the soap opera Vale Tudo. The second season of the program brings together 14 participants from different musical styles, each with their own story, dreams, and artistic truth. They are already living in a house that, this year, has been transformed into a true musical Training Center, where the focus is on learning, genuine exchange, and professionalization — no fights or chaos like so many other formats.

The production team, host Ana Clara Lima, and mentor Michel Teló took part in a press conference with journalists to reveal the new features and expectations for this new season.

Michel Teló: More Than a Mentor, a Partner in the Journey

Michel Teló, returning as a permanent mentor, spoke enthusiastically about his role, which goes far beyond musical technique:

“I was very happy when this invitation came, this opportunity to really be present, entering the house live, exchanging with these 14 artists.”

He emphasized that his focus is to help the participants find their own truth and shine:

“Music is very much about this: conveying the truth in what you believe, in what you want people to feel. That’s what we want to show in the program.”

The singer highlighted both the richness and the challenge of working with such diverse styles, in addition to the unique energy that the live format brings to the competition:

“It’s a true music academy, where they evolve every day, both technically and personally.”

Among the new features, Michel revealed that he will be more directly involved in the creative process, following rehearsals and giving real-time feedback, bringing the mentor’s figure even closer to the artists’ daily routine.

Ana Clara: Authenticity and Lightness in Hosting

Ana Clara Lima returns as host and shares her vision about the evolution of the program and her own personal growth:

“I prefer not to read everything people say on social media, because it’s not always nice, but I love that quick connection with the audience. What wins people over is authenticity and lightness.”

She celebrated the return of intense face-to-face interaction with the participants inside the house — something that had already broken barriers last year:

“It’s eye to eye, up close, and that makes a big difference for the program’s energy and for my relationship with them.”

Ana Clara also highlighted the incorporation of a team of psychologists and coaches to support participants emotionally during the competition, helping them deal with the pressure and challenges of confinement — bringing more balance and humanization to the show. Regarding the new structure, she explained:

“Our party is not a nightclub; it’s a Friday night that turns into a luau, a movie night, karaoke, a poetry night — an experience for them to unwind, but without going overboard, because the next day they need to stay focused.”

And she added:

“Last year was a project that demanded a lot, but now I already know what to expect. I’m more prepared and relaxed.”

Production and the Power of Multiple Platforms

Rodrigo Dourado, Reality Genre Director at Globo and one of those responsible for the format, explained the changes and the investment in multiple platforms:

“We made important changes, taking advantage of everything good from the foundation of the format and bringing in new layers, as we always do with every reality show.”

The program maintains its multiplatform approach, with daily broadcasts on open TV, exclusive content on Globoplay, behind-the-scenes interviews, and special shows. Live performances with musical guests and daily interactions with the public expand engagement and the sense of community around the program.

Dourado stressed that all participants will sing in weekly festivals, increasing the presence of music in the competition. The program gained brand-new dynamics, such as large thematic shows honoring artists and musical movements, duels with songs drawn from a jukebox, and music challenges involving memory, agility, and creativity. Ana Clara highlighted that:

“All the amazing challenges are connected to the musical universe, like the ‘stage master’ challenge, where the winner nominates two others for a duel, which grants another immunity.”

Why Is Star of the House Different?

Amid so many reality show options, Star of the House stands out as a genuine celebration of Brazilian music in all its diversity — from sertanejo to samba, from pop to gospel, passing through MPB and genres that often remain on the margins of mainstream media. The format maintains the intensity and emotion of duels and surprises, but with a truly national accent, respecting the country’s different musical roots.

Michel Teló summed up the spirit of the program:

“Giving a voice to talents that are often hidden, showing the real backstage of music and this journey of building a career is something very special for Brazil.”

Ana Clara added:

“It’s a jewel of our network, made in our house, in our country, for Brazilians. I’m super happy to be in the second year of Star now.”

The structure of the second season reinforces the commitment to artist training: the Training Center provides a structured routine, with regular workshops in musicianship, voice, body expression, and classes with special guests from the music industry. Rodrigo Dourado highlighted the care taken with participant development:

“We prepared workshops to support the marathon of shows they will face, with both regular professionals and guest teachers, and Teló will be present, following along, giving feedback, and helping them grow.”

With this structure, Star of the House is consolidated not just as a reality show, but as a true music academy, aiming to transform talent into professionalism and reveal stars capable of shining brighter and brighter on the national scene. It’s not just the stage glitter the show delivers, but sweat, doubts, learning, and the emotion of building a dream — a truth that wins over audiences and moves Brazil.