The snapshot of November 15, 2025, offers a revealing cross-section of global streaming behavior. It’s a day defined by clear trends: the dominance of major franchises, the reinvention of beloved properties, the rise of prestige TV, and a holiday-driven return to nostalgic comfort watches. Each platform exposes its identity with unusual clarity, showing how audiences are fragmenting — and converging — across genres.
Below is a closer look at what shaped the rankings.
Netflix: Frankenstein rules the charts while romance and holiday fare surge
Among films, Frankenstein remains a global juggernaut — proof that elevated genre infused with literary legacy is one of Netflix’s strongest currencies. In Your Dreams and A Merry Little Ex-Mas follow close behind, signaling the early arrival of seasonal romcom energy.

In TV, the power belongs to Asia: Last Samurai Standing leads by a wide margin, emblematic of the global boom in historical action dramas. Dynamite Kiss, The Beast in Me, and As You Stood By complete a Top 4 driven by melodrama and emotional intensity. Meanwhile, the return of Absentia shows how Netflix’s algorithm can resurrect older titles with surprising force.
HBO Max: prestige horror and adult drama anchor the platform
The impact of IT: Welcome to Derry is unmistakable — not just topping the chart but dominating cultural conversation. The Seduction, the audacious take on Dangerous Liaisons, affirms the streamer’s commitment to darker, more morally layered storytelling.
In film, Weapons continues strong, while Ferrari, The Last Duel, and Black Bag point toward a renewed appetite for director-driven, adult-leaning historical dramas and thrillers.
The presence of Ângela Diniz: Murdered and Convicted in the Top 10 highlights the global reach of Brazilian true crime and the renewed debate about violence, media, and representation.

Disney+: nostalgia rules — fueled by Freakier Friday and early holiday viewing
Nothing comes close to Freakier Friday, a sequel that has turned November into its unofficial celebration month. The Fantastic 4: First Steps demonstrates Marvel’s regained footing after a turbulent era.
Among TV titles, All’s Fair continues as the platform’s most significant adult-leaning hit, reshaping Disney+’s identity. The Top 10 surprises with reality and unscripted success: The Worst Trip Around the World and The Secret Lives of Mormon Wives speak to an audience Disney+ once struggled to reach.
The film list is a shrine to nostalgic comfort: Home Alone, The Devil Wears Prada, Ratatouille, and How the Grinch Stole Christmas signal that November is already emotionally December.

Amazon Prime Video: young adult storytelling and soft drama dominate engagement
On TV, Maxton Hall remains one of Prime Video’s strongest global hits, cementing the streamer’s signature genre: European YA romance with high emotional stakes. Hazbin Hotel and The Summer I Turned Pretty complete a Top 3 tailor-made for younger audiences.
In film, the psychological thriller Playdate leads the platform and confirms that mid-budget suspense remains Amazon’s sweet spot. Our Fault and My Spy — The Eternal City underline Prime’s successful mix of teen romance and family action.
Paramount+: the home of catalog loyalty and franchise endurance
With South Park, Tulsa King, Yellowstone, and Mayor of Kingstown dominating the TV ranking, Paramount+ continues to attract the adult audience drawn to masculine dramas and long-running franchises.
Its film chart mirrors this identity: The Last Stand of Ellen Cole, Top Gun: Maverick, and the Jack Reacher films prove that dependable action remains the platform’s backbone. And Mean Girls remains the evergreen teen-favorite that refuses to fade.

Apple TV+: an empire of prestige — with Pluribus and The Last Frontier above all
Apple’s Top 10 feels like a different ecosystem altogether, fuelled by complex scripts, cinematic ambition, and consistent critical acclaim. Pluribus and The Last Frontier dominate the day with nearly unprecedented numbers. The Morning Show remains a pillar of the service, while Down Cemetery Road and Slow Horses reinforce Apple’s identity as a home for intelligent, politically sharp dramas.
The film chart is equally colossal: Highest 2 Lowest, The Lost Bus, and The Family Plan deliver blockbuster-level engagement, proving Apple’s strategy of fewer—but bigger—releases is paying off.
Global streaming navigates between comfort and reinvention
The week of November 10, 2025, makes one thing clear: audiences want both the familiar and the provocative. Big brands coexist with daring reinterpretations. Holiday nostalgia pairs with gritty thrillers, YA dramas sit beside high-end political sagas, and every platform has carved a distinctive niche in the cultural battlefield of attention.
Each title that enters the TOP 10 is more than a number — it’s a reflection of how viewers are feeling, what they crave, and where entertainment is headed as 2025 draws to a close.

Top 10 Miscelana
1- The Beast In Me (Netflix)
2- The Morning Show (Apple TV+)
3- Down Cemetery Road (Apple TV+)
4- Billy The Kid (MGM+)
5- Robin Hood (MGM+)

6- Frankenstein (Netflix)
7- Murdaugh: Death In The Family (Disney Hulu)
8- All’s Fair (Disney Hulu)
9- The Seduction (HBO Max)
10- Tremembé (Amazon Prime Video)
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