The Top 10 of the week from February 2 to 8, 2026, across streaming platforms does not organize itself neatly by genre, platform, or target audience. At first glance, it may seem scattered, almost random. But a closer look reveals that this apparent miscelânea says a great deal about the current state of series, films, and the viewer’s mindset.

Epic fantasy, classic mystery, high-tension thrillers, auteur-driven drama, true crime, and even a legacy documentary coexist side by side. Not by accident. What connects these titles is not novelty or launch-week noise, but something quieter and far more decisive: a search for stories that offer structure, emotional clarity, and a sense of narrative payoff in an environment increasingly saturated with content.

This Top 10 is not about what is “best” or “most talked about” in a given week. It is about what people choose to keep watching, to revisit, or to finally start once the overload of options stops being seductive. It is in this sense of permanence — rather than hype — that this list becomes truly revealing.

Netflix

Netflix’s Top 10 remains the most honest portrait of the platform today: volume, comfort, and recurrence. The fact that The Investigation of Lucy Letby leads so decisively is no surprise, but it is symptomatic. True crime is no longer just a genre. It is a machine. It arrives, performs, resurfaces when the news cycle reignites the subject, and sustains ongoing engagement. This is no longer about discovery, but about moral habit—almost ritual.

In films, what emerges is a Netflix that has fully embraced its role as a large emotional video store. Sweet Home Alabama and Overboard are not there by chance. They are choices that do not demand full attention, do not challenge, and do not require effort. They function as companionship. The same applies to The Adventures of Sharkboy and Lavagirl, which activates a double trigger: nostalgia for adults and automatic consumption for children.

There is also room for international melodrama with Even If This Love Disappears Tonight, confirming that Netflix remains the main channel for the circulation of this kind of tragic, quiet romance with strong appeal among young adults. This is not a Top 10 driven by boldness. It is a Top 10 driven by immediate recognition.

In series, Bridgerton at the top—repeated—confirms something crucial: the show no longer depends on an event. It sustains itself as a constant presence, as a universe viewers return to without the need for novelty. His & Hers appears as a narrative curiosity, supported more by twists and moral ambiguity than by any lasting aesthetic impact. And Jeffrey Epstein: Filthy Rich returns, propelled by real-world developments, reinforcing how Netflix feeds on the intersection of scandal, indignation, and repetition.

HBO Max

Here, the message is direct: a strong catalog continues to outperform fragile premieres. Spider-Man: Homecoming at the top shows that audiences prefer revisiting a solid Marvel entry rather than betting on something new and unstable. The Departed reappears as that classic that never fails once it reenters the conversation. I Know What You Did Last Summer activates 1990s nostalgia and speaks directly to a generation rediscovering these titles through social media.

But it is in series that HBO Max reasserts its identity. A Knight of the Seven Kingdoms leads with clarity and authority. Its success does not come from excess spectacle, but from classical storytelling, legible characters, and direct moral conflict. In a landscape saturated with series that mistake complexity for confusion, that difference matters.

Industry continues as a consistent adult drama, while Primal proves that auteur-driven adult animation still has space when there is a clear identity. HBO Max remains the platform where audiences trust that there is a vision behind the content.

Disney+

Disney+’s Top 10 is almost a manifesto of who the company is today. The Devil Wears Prada, standing out, reinforces how recent pop culture history remains a stronger asset than many new bets. Avatar: The Way of Water and Inside Out 2 confirm that Disney operates best in the territory of inherited events, not surprises.

In series, The Beauty holds on more through conceptual curiosity and aesthetic debate than through deep emotional attachment. Grey’s Anatomy appears as definitive proof that longevity is a powerful currency in streaming. Disney plays it safe—but with precision. Low risk, high stability.

Prime Video

Prime Video continues to be the space of functional consumption. The Wrecking Crew leads without critical enthusiasm, but with clarity of purpose. It is direct action, without subtext, designed to play efficiently. Kung Fu Panda 4 enters as an automatic family choice, reinforcing the catalog’s multigenerational appeal.

In series, Fallout remains the platform’s strongest asset, sustained by solid worldbuilding and a highly engaged fan base. The Night Manager shows how prestige licensed content is still a key pillar for Prime, perhaps more reliable than its own original bets.

Paramount+

Here, the identity is crystal clear. Mission: Impossible – The Final Reckoning dominates the ranking, reaffirming the strength of traditional franchises. In series, South Park, Yellowstone, and Tulsa King outline a loyal, adult audience with little interest in experimentation. Paramount+ knows exactly who it speaks to and makes no effort to appeal beyond that perimeter.

Apple TV+

Perhaps the most strategically interesting ranking. F1 leads as a product-event, designed as much for brand positioning as for viewership. Hijack remains strong by betting on classical tension, clean storytelling, and precise execution. Severance appears as the platform’s symbolic capital— not always at the top, but always present, as a marker of prestige.

Apple continues to bet less on volume and more on identity-building. It does not dominate weekly noise, but it consolidates long-term value.

Top 10 Miscelana

1- A Knight of The Seven Kingdoms

2- Hijack

3- Bridgerton

4- The Beauty

5- Shrinking

6- The Wrecking Crew

7- His & Hers

8- The Pitt

9- The Rip

10- Tron Ares