April doesn’t arrive quietly on streaming platforms. Between highly anticipated finales, new franchise-driven bets, and the return of established titles, platforms continue to compete for attention on an increasingly noisy scale. It’s a calendar shaped by immediate impact, the promise of event viewing, and the constant demand for novelty.

Within this landscape, Filmicca’s curation operates on a different frequency. Instead of competing through volume, it leans into longevity; instead of speed, it invites pause. Its highlights this month — Fanny & Alexander, Inventário de Imagens Perdidas, and Bando à Parte — don’t function as nostalgic counterpoints, but as reminders that cinema is also built through time, memory, and the ways we return to images.

It’s within this contrast that April takes shape: between excess and choice, between what feels urgent to watch now and what continues to ask to be revisited. A dynamic that reveals not only what arrives on streaming, but how—and why—we keep choosing what to watch.

Apple TV

Your Friends and Neighbors, April 2
After being fired in disgrace, a hedge fund manager, still reeling from his recent divorce, turns to stealing from his neighbors’ homes in the ultra-wealthy Westmont Village—only to discover that the secrets and affairs hidden behind these affluent façades may be more dangerous than he ever imagined.

Outcome, April 10
A dark comedy centered on Reef Hawk (Keanu Reeves), a beloved Hollywood star who is forced to confront his own demons after being blackmailed with a mysterious video that could destroy his image and end his career.

With the support of his longtime friends Kyle (Cameron Diaz) and Xander (Matt Bomer), as well as his crisis lawyer Ira (Jonah Hill), Reef embarks on a journey of self-discovery to try to make amends for his past mistakes—and uncover who is behind the blackmail.

Margot’s Got Money Problems, April 15
A bold, moving, and comedic family drama following Margo (Elle Fanning), an aspiring young writer who drops out of college. The daughter of a former Hooters waitress (Michelle Pfeiffer) and a former wrestler (Nick Offerman), she must find her own path while dealing with a newborn baby, mounting bills, and fewer and fewer ways to pay them.

Widow’s Bay, April 29
“Widow’s Bay” is a picturesque island town 40 miles off the New England coast. But something lurks beneath the surface. Superstitious residents believe the island is cursed. Is it really?

Amazon Prime Video

The Boys – Final Season, April 8
In its fifth and final season, the world belongs to Homelander—completely at the mercy of his erratic and egomaniacal whims. It’s the climax. Big things are about to happen.

Cangaço Novo – Season 2, April 24
In the second season, siblings Ubaldo, Dinorah, and Dilvânia face even more dangerous challenges in their war against the Maleiros.

The House of the Spirits, April 29
A family saga that tells the epic story of a proud and passionate family, filled with secret loves and a bloody revolution. The passions, struggles, and secrets of the Trueba family span a century of intense social transformation, culminating in a crisis that places the proud and tyrannical patriarch and his beloved granddaughter on opposite sides.

Disney+

Dear Killer Nannies: Raised by Assassins, April 1
The series follows Juampi, the son of Pablo Escobar Gaviri, —a lonely boy living a life of luxury who sees his father as a successful businessman and benefactor of Medellín’s poor. But as Juampi grows older, his idealized world begins to collapse.

Malcolm: Life Is Still Unfair, April 10
The revival of the iconic sitcom Malcolm arrives as a four-episode miniseries.

The Testaments, April 8
Based on the novel by Margaret Atwood, The Testaments continues the universe of The Handmaid’s Tale in a coming-of-age drama set in Gilead. The series follows Agnes, a devout and obedient teenager, and Daisy, a newly arrived outsider who has recently converted.

HBO Max

Hacks, April 9
The Emmy-winning series returns for its fifth and final season. After false and unflattering news reports claim she has died, Deborah Vance (Jean Smart) and Ava (Hannah Einbinder) return to Las Vegas more determined than ever to secure Deborah’s legacy as a comedian.

Euphoria, April 12
The new season brings back the group of childhood friends as they confront profound questions about faith, the possibility of redemption, and the nature of evil.

Half Man, April 23
Niall and Ruben are brothers—not by blood, but as close as it gets. One is fierce and loyal. Bound by death and circumstance, they only have each other. But when Ruben shows up at Niall’s wedding three decades later, everything feels different—and soon, an explosion of violence sends us back through their lives, from the 1980s to the present.

Marty Supreme, April 24
In the Oscar-nominated film, Marty Mauser (Chalamet), a young man with a dream no one respects, goes to hell and back in pursuit of greatness.

Christy, April 10
Christy Martin (Sydney Sweeney) never imagined a life beyond her small-town West Virginia roots—until she discovered she had a talent for hitting people. Driven by grit, raw determination, and an unshakable desire to win, she dives into the world of boxing under the guidance of her trainer and manager, who also becomes her husband, Jim (Ben Foster). Based on remarkable true events, Christy Martin’s story is one of resilience, courage, and reclaiming one’s life.

Dust Bunny, April 17
A 10-year-old orphan hires her neighbor, a hitman (Mads Mikkelsen), to protect her from the monster living under her bed. With Sigourney Weaver.

Alien: Romulus, April 3
This terrifying sci-fi thriller takes the legendary Alien franchise back to its iconic roots. While scavenging the depths of an abandoned space station, a group of young colonists comes face to face with the deadliest life form in the universe.

Netflix

BEEF – Season 2, April 16
BEEF returns with a new cast and a new “conflict,” as a Gen Z couple witnesses an alarming fight between their millennial boss and his wife. Newly engaged Ashley Miller (Cailee Spaeny) and Austin Davis (Charles Melton), both lower-level employees at a country club, become entangled in the unraveling marriage of their general manager, Joshua Martín (Oscar Isaac), and his wife, Lindsay Crane-Martín (Carey Mulligan).

Running Point – Season 2, April 23
Isla Gordon (Kate Hudson) is no longer the unexpected choice to lead the Los Angeles Waves—she’s now at the center of attention. With the franchise finally recovering from last year’s scandal, Isla is determined to prove she’s more than just filling her brother Cam’s (Justin Theroux) shoes. What she doesn’t know is that Cam is quietly maneuvering behind the scenes to reclaim his position, turning her every mistake into ammunition.

Predator’s Game, April 24
A grieving woman (Charlize Theron), testing her limits in the Australian wilderness, suddenly finds herself trapped in a deadly game with a relentless predator (Taron Egerton).

Man on Fire, April 30
Based on the book series by A.J. Quinnell, Man on Fire tells the story of John Creasy. Once a highly efficient Special Forces mercenary known for surviving even the harshest conditions, Creasy is now haunted by severe post-traumatic stress disorder and begins a journey in search of redemption.

Filmicca

Fanny & Alexander
A film by Ingmar Bergman, nominated for the Academy Award in 1982. In the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After the unexpected death of their father, however, the siblings find themselves in a joyless home when their mother, Emilie, marries a strict bishop. The dark situation gradually worsens as the bishop becomes increasingly controlling, but devoted relatives make a brave effort to help Emilie, Fanny, and Alexander.

Inventory of Lost Images
A film by Gustavo Galvão set in the near future, where a revolution plunges the country into civil war. Two women on the run hide in the countryside. Their paths cross in a house filled with the memories of a former filmmaker—forgotten, much like cinema itself.

Band of Outsiders
Directed by Jean-Luc Godard, the film follows Franz and Arthur, two aimless cinephiles who spend their days imitating the antiheroes of Hollywood noir and Western films while courting the charming Odile. The mismatched trio subverts conventions at every turn, whether through choreographed dances in cafés or playful runs through the Louvre. Eventually, their romantic vision of outlaw life leads them to plan their own heist—but their inexperience may end in tragedy, which might be exactly what they want.