January 2026’s Top 10 reveals nostalgia, narrative comfort, and the power of platforms.
Categoria: English
Versões em inglês dos artigos do Miscelana, trazendo para o público internacional críticas, análises e histórias de cultura, cinema, séries e muito mais.
Guilt as a Feminine Language
“Doing it all” is treated as comedy by Hollywood, but it’s part of a culture that turns expectation into self-condemnation.
The Weight of George R.R. Martin’s Crown: Empire, Control, and the Unfinished Work
In a new interview, the author lays bare the conflict between franchise and authorship, his tensions with HBO, and the structural impasse of The Winds of Winter
Kathleen Kennedy Leaves Lucasfilm: The Legacy of the Woman Who Redefined Star Wars
From record-breaking hits to her most contested decisions, how her leadership reshaped the franchise for the 21st century
Landman: What If Tommy’s Fall Was Always Part of the Plan? (Theory)
The theory that Galino never saved him by chance — and why Tommy would end up working for the man who brought him down
After Game of Thrones: Why Kit Harington, Sophie Turner, and Emilia Clarke Are Still Living in the Series’ Shadow
What the leads have said about pressure, mental health, professional frustrations, and the still-unfinished attempt to reinvent themselves after Jon Snow, Sansa Stark, and Daenerys Targaryen
Landman and the Wear of the Man Who Fixes Everything
Tommy Norris’s fall exposes the show’s limits and turns Season 3 into a creative crossroads
Lara Croft: Why She Always Returns and What Is at Stake in the Sophie Turner Era
From her origins in videogames to the versions played by Angelina Jolie and Alicia Vikander, the iconic archaeologist comes back on Prime Video under the writing of Phoebe Waller-Bridge in search of a definitive identity
Hijack – Season 2, Episode 1 (Recap): Signal and the fear that didn’t linger in the air
Sam trades the plane for the subway, and discovers that the paranoia didn’t stay in the air.
The “Oscar curses”: why actresses can be young and actors cannot
Data from the past 20 years reveal how gender, age, and power shape who the Academy deems “ready” to win
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