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Categoria: English

Versões em inglês dos artigos do Miscelana, trazendo para o público internacional críticas, análises e histórias de cultura, cinema, séries e muito mais.

Lazarus: When the Mystery Is the Mind

Series starring Sam Claflin and Bill Nighy dives into the unconscious, exploring neurosis, fate, and the weight of a family legacy

The Day the World Could End: A House of Dynamite and Kathryn Bigelow’s Mastery of Fear

In less than twenty minutes, Kathryn Bigelow reminds us that the end of the world never feels far enough away.

The Perfect Neighbor: The Real Horror Of Everyday Life

Netflix’s documentary turns a neighborhood dispute into a devastating portrait of violence, fear, and everyday racism in America

Nobody Wants This — Season Two

Between Faith, Freedom, and Love in the Small Steps

Top 10 Series and Films That Reflect Our Time: Week of October 25

From “Task” to “Murdaugh,” the stories that hold us now are the ones that force us to look inward

Kenneth Branagh’s Frankenstein: Ambition, Ego, and the Beauty of Patrick Doyle’s Score

Between genius and chaos: the film that redefined Kenneth Branagh’s ambition, shattered his marriage, and found its soul in Patrick Doyle’s music.

Between the Monster and the Man: The Most Faithful Frankenstein Adaptations and the Long Wait for Empathy

Modern adaptations of Frankenstein explore themes of creation, empathy, and the struggle between humanity and monstrosity.

The Phantom of the Opera, One Hundred Years Later: Myth, Cinema, and Guillermo del Toro’s Vision?

From the depths of the Paris Opera House to del Toro’s modern gothic, the century-old tale of beauty and horror remains a mirror of the human soul.

Laura Benanti: From Broadway Royalty to Political Satire Stardom

A Tony-winning actress known for Gypsy, Supergirl, and The Gilded Age, Laura Benanti is once again going viral thanks to her spot-on — and hilarious — impression of former First Lady Melania Trump on The Late Show with Stephen Colbert

“Loot” in a Loop: When Satire Loses Its Edge

Maya Rudolph remains magnetic, but the Apple TV+ comedy about billionaires and fake philanthropy is stuck in the same argument — and has become the victim of its own joke.

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