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Tag: Miscelana in English

Selected Miscelana articles available in English. Here you’ll find cultural analysis, reviews, and essays on cinema, television, literature, and pop culture, translated from the original Portuguese to reach a wider international audience

Bridgerton Season 4: when fairy tale meets reality

Fantasy, class, and desire in a story about learning to see, without masks

The Immortal Man: decoding the film that brings Peaky Blinders to a close

Between World War II, real-life loss, and backstage decisions, Tommy Shelby’s final act is conceived as closure, not repetition

End of the Year with the Beatles

A nostalgic, intimate end of the year with the best possible soundtrack

E. E. Cummings, or the courage to write heaven in lowercase

From a farewell scene in Goodbye June to the page as a sensitive space

Before the end: Hawkins moves one step deeper into chaos

Three episodes before the series finale: everything at stake as Hawkins struggles to survive until New Year’s Eve

Goodbye, June: Kate Winslet makes her directorial debut in Netflix’s Christmas drama about grief and family

In her first film as a director, the actress turns grief into a collective experience and reaffirms her sensitivity as an artist

The Nutcracker at the Municipal: tradition, renewal, and a Christmas gift to Rio

Between rites of passage, narrative adjustments, and a new generation of dancers, the Ballet of the Theatro Municipal reclaims the classic as a cultural event for the city

A Surreal Christmas: An Idea Without Enough Emotional Glue

Oh. What. Fun. wants to address maternal invisibility and the reinvention of traditions, but collapses under weak family chemistry and unmotivated hostility

Paul Thomas Anderson and the cinema that refuses permission

A film without a clear plot, a chain of confrontations — and still a powerful story about legacy, guilt, and survival

Avatar: Fire and Ash: when spectacle still outweighs innovation

Between strong box office, divided reviews, and narrative excess, James Cameron reasserts cinema as experience — even while trapped in his own formula

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