From the novel to the Netflix adaptation, the elegance of Oxford frames a classic story of love and loss, with echoes of poetry and drama
Tag: Criticas
Todas as críticas publicadas no Miscelana: análises detalhadas de filmes, séries, teatro, música e literatura, com olhar autoral e cultural.
“My Oxford Year”: Entre velhas poesias e amores impossíveis, um clichê irresistível
Do livro à versão da Netflix, a elegância de Oxford envolve uma história clássica de amor e perda, com ecos de poesias e dramas românticos
The Pressure on Marian in The Gilded Age: Is It Fair to Judge Her More Than Larry?
In The Gilded Age, Marian and Larry face social pressures, lies, and unequal expectations in their complicated relationship.
A pressão sobre Marian em The Gilded Age: é justo cobrar mais dela do que de Larry?
Em The Gilded Age, Marian e Larry enfrentam pressões sociais, mentiras e expectativas desiguais no relacionamento complicado.
And Just Like That…: the end of an era that never truly began
The announcement shared on social media by Michael Patrick King, that it was finally time to say goodbye to Carrie Bradshaw and company, left fans and critics with a mix of surprise and relief.
What if goodbye is the ultimate act of love?
The final farewell to Carrie and company reflects the loss of authenticity and essence, leaving behind both longing and criticism.
E se o adeus for o maior sinal de amor?
A despedida definitiva de Carrie e companhia reflete a perda da autenticidade e da essência, deixando saudade e crítica.
Carrie invokes the Beetlejuice Rule of Three
When saying the name three times summons ghosts — or shows that should’ve stayed buried
Carrie evoca a regra de três de Beetlejuice
Quando dizer o nome três vezes invoca fantasmas — ou séries que já deviam estar mortas
Ridley Scott: The Genesis of Horror and Technology
Sir Ridley Scott’s filmography explores this question in a multitude of ways.
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