This week’s FlixPatrol charts reveal an intriguing battle between established franchises, original productions, and a few titles capable of defying the usual streaming logic. While Apple continues to enjoy a particularly strong moment in television, Disney is reaping the rewards of Toy Story 5‘s theatrical release, and Paramount remains heavily reliant on the universe created by Taylor Sheridan. Let’s take a look at each platform.

Netflix
Netflix’s television rankings were led by I Will Find You, the new Harlan Coben adaptation starring Sam Worthington, Britt Lower, and Milo Ventimiglia. The thriller follows a man convicted of murdering his own son who discovers that the boy may still be alive and escapes prison to uncover the truth. As is often the case with Coben adaptations, the combination of conspiracies, twists, and family drama proved irresistible to viewers.
Right behind it is Teach You a Lesson, a South Korean drama based on the webtoon Get Schooled. The series follows a government agency tasked with dealing with violence and disorder in schools through unconventional methods. Its success once again highlights the strength of Korean productions on Netflix and their ability to turn local stories into international hits.
Third place belongs to The Polygamist, a South African drama based on Sue Nyathi’s novel. The series revolves around businessman Jonasi Gomora, whose double life threatens to destroy the image of perfection carefully built by his wife, influencer Joyce. Filled with secrets and betrayals, the melodrama has become yet another example of Africa’s growing presence in the streaming landscape.

The rankings once again underline the popularity of thrillers and adult-oriented dramas. Further down, Sweet Magnolias continues to display remarkable staying power, while Michael Jackson: The Verdict remains among the most-watched titles, confirming that public fascination with the singer remains strong.
Among films, Maternal Instinct claimed the top spot. The psychological thriller starring Jessica Chastain and Anne Hathaway, set in the 1960s, follows two best friends and neighbors whose relationship is shattered by tragedy. The English-language remake of a Belgian film has sparked plenty of discussion thanks to the performances of its Oscar-winning leads and its growing sense of paranoia.
Office Romance comes in second. Several weeks after its debut, not even Jennifer Lopez‘s star power could keep it on top forever, but the romantic comedy continues to show impressive legs and remains one of the platform’s most popular films.
Meanwhile, James Bond continues to hold enormous appeal. No Time to Die and Skyfall both appear in the Top 10, proving that even in an era dominated by new releases, 007 remains one of entertainment’s most resilient brands.
HBO Max
HBO Max presents a lineup that perfectly reflects its current identity. Rick and Morty leads the week, but the presence of Euphoria in second place is particularly impressive. Although the Zendaya-led series recently came to an end, its passionate fanbase continues to keep it alive in the conversation. Right behind it, House of the Dragon benefits from its return and from the enduring enthusiasm of Westeros fans, once again proving itself to be one of the platform’s defining titles.


The fourth-place finish of From highlights the power of word of mouth. In an era when many shows disappear from public attention almost immediately, the supernatural thriller seems to gain new viewers every week. Further down, Georgie & Mandy confirm the appeal of the Young Sheldon universe, while newcomer The Miniature Wife showcases the diversity of HBO Max’s offerings and its willingness to target different audiences.
Among films, They Will Kill You takes the top spot. The psychological horror film starring Patricia Arquette and directed by Kirill Sokolov has intrigued viewers with its unsettling atmosphere and blend of violence and suspense. In second place sits Terminator Salvation, further proof that recognizable franchises continue to attract audiences years after their theatrical runs.
Further down, GOAT benefits from the popularity of family animation, while Black Phone 2 continues to capitalize on the surprise success of its predecessor. The presence of Goosebumps and the comedy Spy demonstrates that lighter fare remains an important part of HBO Max’s identity, providing alternatives to the prestige dramas and major franchises that have long defined the service.
Disney+
On Disney+, Not Suitable for Work takes first place among television series. Centered on a group of friends navigating relationships, sex, and the uncertainties of adulthood, the series has emerged as one of the pleasant surprises of the year and demonstrates Disney’s ability to turn smaller productions into word-of-mouth successes.
Just behind it is The Testaments, the long-awaited sequel to The Handmaid’s Tale, whose debut immediately captured subscribers’ attention. In third place is High Potential, further evidence that procedural dramas driven by charismatic characters still have a place in the streaming era.
The platform also continues to benefit from the enduring power of its franchises. Star Wars: Maul appears among the Top 10, confirming that George Lucas’ universe remains one of Disney’s greatest assets. Meanwhile, Malcolm in the Middle once again illustrates the value of classic libraries. More than two decades after its debut, the sitcom continues to attract new generations of viewers and serves as a reminder that nostalgia remains a powerful force.

Among films, Disney is enjoying a particularly special week thanks to the Toy Story phenomenon. Fueled by the theatrical release of Toy Story 5, the new installment leads the rankings, followed by the original animated film Hoppers and the first Toy Story, released in 1995. Further down, Toy Story 4, Toy Story 2, and Toy Story 3 also rank among the most-watched titles, offering another example of how a new release can boost an entire franchise.
This is hardly the first time Disney has experienced such an effect. Similar patterns emerged with Inside Out and Moana, but the simultaneous presence of nearly the entire Woody and Buzz Lightyear saga among the week’s most popular films highlights the extraordinary strength of Pixar’s beloved brand. Amid the domination of cinema’s most famous toys, even Taylor Swift: I Knew You Were Trouble managed to secure a place among the platform’s Top 10, demonstrating the singer’s ability to attract audiences in virtually any format.
Prime Video
Prime Video continues to lean heavily into romance and young-adult productions. Off Campus, based on Elle Kennedy’s bestselling novels, takes first place and confirms the genre’s enduring popularity. The series follows a group of college students navigating friendships, love, and the challenges of adulthood, and has quickly found a loyal audience.
Close behind is Every Year After, another literary adaptation that revisits the evolving relationship between two friends over the years. The success of both titles highlights Prime Video’s growing reputation as one of streaming’s leading homes for romance.
Third place belongs to Spider-Noir, one of Marvel’s most intriguing projects. Starring Nicolas Cage, the series transports audiences to an alternate version of 1930s New York and combines superheroes with classic noir aesthetics. Further down, Clarkson’s Farm continues its remarkable popularity, while The Boys remains one of Prime Video’s flagship series and a rare example of long-term success in modern television.

Among films, romance completely dominates. Your Fault: London and My Fault: London occupy the first two positions, confirming the enormous appeal of Mercedes Ron’s universe. Like their Spanish predecessors, the London-based versions have become international hits among younger viewers.
Further down, The Housemaid, based on Freida McFadden‘s bestselling novel and starring Sydney Sweeney and Amanda Seyfried, continues to attract fans of psychological thrillers. Meanwhile, Greenland 2 proves that disaster movies still have a devoted audience.
Prime Video’s rankings once again reinforce one of the service’s greatest strengths: its ability to appeal to very different audiences simultaneously. Romance, superheroes, unscripted entertainment, and thrillers all coexist under the same roof.
Paramount+
On Paramount+, the dominance of the Yellowstone empire remains unquestionable. Dutton Ranch leads the week and confirms that the new series starring Kelly Reilly and Cole Hauser has successfully inherited much of the appeal of the original show. The mix of family drama, land disputes, and Taylor Sheridan‘s signature storytelling style continues to resonate with viewers, proving that the Dutton universe is far from running out of steam.
Right behind it sits Marshals, another series connected to Sheridan’s expanding television empire. In third place is Yellowstone itself, demonstrating that the original series remains the beating heart of Paramount+ even after its conclusion. Few creators in Hollywood currently wield as much influence over a streaming platform as Sheridan does over Paramount+.

Further down, South Park continues to display remarkable staying power nearly three decades after its debut. Trey Parker and Matt Stone‘s animated comedy remains one of the platform’s most valuable assets and continues to attract new generations of viewers. Meanwhile, Tulsa King, starring Sylvester Stallone, and From, which continues to benefit from strong word of mouth, reinforce the central role that television series play in defining Paramount+’s identity.
Among films, Primate claims the top spot. The Jason Momoa action thriller quickly found an audience and demonstrates how straightforward entertainment continues to play an important role on the platform. Right behind it sits Top Gun: Maverick, a film that simply refuses to disappear from streaming charts. Four years after its theatrical release, Joseph Kosinski‘s blockbuster remains one of Paramount+’s most valuable assets and continues to serve as a showcase for one of Hollywood’s last true movie stars.
Further down, World War Z proves the enduring popularity of zombie films, while entries from the Scary Movie franchise continue to benefit from nostalgia and curiosity. It is a combination that perfectly encapsulates Paramount+’s strategy: balancing major franchises, recognizable stars, and comfort viewing.
Apple TV
But it is Apple TV that is enjoying one of its strongest weeks of the year. Cape Fear leads the rankings and validates the platform’s decision to reinvent Martin Scorsese‘s classic as a series starring Javier Bardem, Amy Adams, and Patrick Wilson. The psychological thriller has quickly become one of the most talked-about shows among subscribers and once again demonstrates Apple’s ability to turn prestige projects into weekly events.
Close behind is Widow’s Bay, one of 2026’s biggest surprises. Created by Katie Dippold, the blend of horror, comedy, and mystery has built a devoted fanbase and further cemented Matthew Rhys as one of the year’s standout performers. In third place is Sugar, starring Colin Farrell, which continues to benefit from strong word of mouth and renewed interest generated by its second season.


Your Friends & Neighbors, led by Jon Hamm, and Star City, the For All Mankind spinoff, round out the Top Five and underscore the remarkable diversity of Apple’s original slate. Further down, the presence of Ted Lasso, For All Mankind, and Silo among the platform’s most-watched titles highlights something increasingly rare in today’s streaming landscape: a service whose strength lies almost entirely in original productions rather than acquired libraries. Very few platforms can boast such a wide range of successful originals coexisting simultaneously.
Among films, F1 remains in first place and further solidifies director Joseph Kosinski‘s extraordinary streak. Following Top Gun: Maverick, the filmmaker appears to have perfected a formula capable of turning relatively simple stories into cinematic events. Driven by Brad Pitt’s charisma and footage captured during actual Formula One races, the film continues to represent one of Apple’s most ambitious investments.
In second place is The Gorge, the romantic thriller starring Anya Taylor-Joy and Miles Teller, which has emerged as one of the platform’s surprise successes. Right behind it are Outcome, featuring Keanu Reeves and Jonah Hill, and Echo Valley, starring Julianne Moore and Sydney Sweeney, two examples of Apple’s strategy of pairing major Hollywood talent with original projects.


Further down, Fountain of Youth, directed by Guy Ritchie, and Highest 2 Lowest, Spike Lee’s latest collaboration with Denzel Washington, help establish one of the strongest film libraries in streaming. While Apple still lacks the sheer volume of content offered by its competitors, it continues to demonstrate that quality and curation can matter just as much as quantity.
Overall, this week’s rankings once again show that franchises remain one of entertainment’s most valuable currencies. The dominance of Toy Story, the continued strength of the Yellowstone universe, and the enduring appeal of James Bond all serve as reminders of the power of familiar brands.
Yet the charts also reveal something that has become increasingly rare in 2026: the ability of certain platforms, particularly Apple, to turn original productions into brands strong enough to compete with decades of nostalgia and iconic characters already embedded in popular culture.
At a time when Hollywood relies more heavily than ever on established intellectual property, that may well be the most interesting story hidden within this week’s numbers.
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