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Categoria: English

A selection of Miscelana articles in English, exploring film, television, music and cultural history for international readers.

Versões em inglês dos artigos do Miscelana, trazendo para o público internacional críticas, análises e histórias de cultura, cinema, séries e muito mais.

Bruno Gagliasso Brings Honestino to Bonito Cinesur: “We Cannot Normalize This”

The actor was at Bonito CineSur and spoke about memory, democracy, and the responsibility of telling this story

After Complaining So Much, The Rings of Power Trailer Finally Won Me Over

The series still needs to fix its Galadriel, but it has finally reached the story I truly wanted to watch

Ted Lasso Chose Women’s Football. And That Matters a Lot

By putting women at the center of its new season, the series steps into one of the biggest cultural shifts in sport

House of the Dragon: Whose Side Is Mysaria Really On?

Alicent found the White Worm’s deepest vulnerability and opened a dangerous breach inside Rhaenyra’s court.

Star Wars Will Finally Reveal How Leia Almost Became a Jedi

A new novel follows her training with Luke and confronts the complicated legacy of Darth Vader

Streaming Top 10, July 20–25: Familiar Stories Win Again

From Avengers to Yellowstone, franchises dominate the charts while Apple begins turning its own catalog into comfort viewing

Paulina García and the Women’s Cinema Took Too Long to See

Honored at CineSur 2026, the Chilean actress has built a career giving mature women desire, contradiction, and a future

How Downton Abbey Turned Henry Talbot Into a Villain Without Meaning To

Downton Abbey turned Mary’s second chance at love into a story of absence, abandonment and an unintended villain

Suri Cruise Chooses the Stage as She Begins Building a Career Beyond Her Father’s Name

Tom Cruise and Katie Holmes’ daughter is studying musical theater, taking on Shakespeare and heading to the Edinburgh Festival Fringe

Bernard Is Alive in Silo — and the Surprise Changes Who the Series’ Real Villain May Be

His unexpected return suggests that Juliette’s greatest enemy was never a single person, but the system that decides who is allowed to survive

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